But the company that brought the first such product to market was actually Apple, with its Aperture software.Īperture fueled Adobe's competitive flames for Lightroom, Connor said. In addition, because adjustments are stored as metadata, there's a risk that an image edited with a plug-in on one machine will look different on another machine lacking that plug-in, if it can be opened at all, Connor said.Īdobe began developing Lightroom, code-named Shadowland, between the release of Photoshop 7 in 2002 and Photoshop CS in 2003, Connor said. Image-processing plug-ins are "trickier in Lightroom because it's nondestructive," and filters must be applied and reapplied in real time as new adjustments are made. One tough balancing act the company faces now is deciding how much developer attention to focus on building the SDK and how much on building new features in Lightroom.Ī Lightroom SDK is thornier than one for Photoshop because the latter can accept a filter that permanently changes an image, Connor said. SDKs can let others extend a product with new features, and indeed Photoshop's rich array of third-party plug-ins illustrates the value of the approach.Īdobe has released a beta SDK with a very limited scope, but Adobe plans to expand it, Connor said.
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That nondestructive philosophy poses a big challenge for Adobe: how to design a software development kit for Lightroom.
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That means an underlying raw image is preserved but can be accompanied by instructions such as how to crop it, adjust its tones, and sharpen its edges. Not only is every adjustment in Lightroom reversible, but the software keeps track of those changes and stores them as metadata associated with the file. One of the key features in Lightroom-and another major difference from Photoshop-is nondestructive editing. Also different: Photoshop presents myriad editing options at any moment, but Lightroom's interface is designed to march along with a photographer's import, edit, and export "workflow." Photoshop, in contrast, permits not just photo editing but all kinds of original creation, from compositing multiple images to digital painting and sketching to elaborate visual effects on text. Lightroom's core operation is "developing" many raw images into finished products, but the software also can be used for cataloging and describing photos and for printing them and sharing them as galleries on the Web. Unlike with traditional Photoshop, Adobe envisions Lightroom as a tool to get the most out of what the camera recorded when a photo was taken.Ĭertainly Lightroom can alter a photo with some special effects, but, Connor said, "We want to stay true to optimizing what you saw when you shot it."įor that reason, Lightroom is chiefly designed to work with the raw images-the files taken directly from a camera's image sensor without in-camera processing into the more limited but convenient JPEG format. Those endorsements, however qualified, illustrate Adobe's philosophy with Lightroom. It's more about recreating a scene than about creating something that isn't there in the first place." At some point, Lightroom will have support for that."Īnd of panorama stitching, Connor said, "An argument can be made for it. At some point, cameras will be capturing HDR. Of HDR, he said, "It's definitely a natural thing to do. Both are within the scope of Lightroom, Connor said, but he was careful not to promise whether or when that support might actually arrive.
![hdr adobe lightroom 5 hdr adobe lightroom 5](https://i.pinimg.com/736x/f4/95/97/f495979654068714db49c9fb64df684e.jpg)
It's fair to be optimistic about HDR and panorama support in Lightroom, but don't hold your breath. And the ultrawide views known as panoramas have been around for decades, but the ability to stitch digital photos together-for example with Photoshop's new Photomerge feature-has injected new energy into the area.
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High dynamic range (HDR) photography combines multiple exposures of a single subject into a single image that better spans the full range of dark and light tones a good example is a photo of a cathedral interior that shows both the bright stained-glass windows and the dim stone arches. I spoke with him Wednesday during the Macworld trade show here in San Francisco.Ĭonnor is intimately familiar with these two fast-changing domains in digital photography.
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That's the word from Kevin Connor, Adobe's senior director of professional digital imaging product management and the executive who oversees Lightroom, Photoshop, and the Digital Negative (DNG) format. Good news for photo enthusiasts who wish they could they could use Photoshop Lightroom for high dynamic range photography and panorama stitching: support is on Adobe Systems' radar screen, if not necessarily its roadmap. Adobe Photoshop Lightroom is used to edit and catalog photos, chiefly the raw images that come from higher-end digital cameras.